The ultra-orthodox Jewish community of Borough Park, South Brooklyn is the setting for this touching drama. Menashe (comedian Menashe Lustig in his first serious role), recently widowed, fights to retain custody of his ten-year-old son (Niborski). Hasidic strictures insist that the boy should be brought up in a household with a wife. When Menashe argues for an exemption, he is granted one week with his son. In a role that is loosely autobiographical, Lustig gives a passionate and humane performance. The community’s attempts quickly to find him a wife or farm the boy out to his wealthy estate agent brother (Weisshaus) and his family are not without wry humour. Better known as a documentarian, co-writer and director, Joshua Weinstein brings authenticity to his first feature and provides a rare glimpse into a secretive and self-contained world.
Katharine Graham (Meryl Streep) is the first female publisher of a major American newspaper, The Washington Post. With help from editor Ben Bradlee (Tom Hanks), Graham races to catch up with The New York Times to expose a massive cover-up of government secrets that spans three decades and four U.S. presidents. Together, they must overcome their differences as they risk their careers, and very freedom, to help bring long-buried truths to light. Directed by Steven Spielberg.
One can’t appreciate 20th century art without understanding the significance and genius of Paul Cézanne. Featuring interviews with curators and experts from the National Portrait Gallery London, MoMA New York, National Gallery of Art Washington, and Musée d’Orsay Paris, and correspondence from the artist himself, the film takes audiences beyond the exhibition to the places Cézanne lived and worked and sheds light on an artist who is perhaps the least known of all the impressionists – until now.
Based on the international best-selling picture book by OLIVER JEFFERS, this BAFTA winning film from STUDIO AKA, tells the story of a little Boy who one day finds a Penguin on his doorstep. Although at first he is unsure what to do, the Boy becomes determined to help the Penguin find his way back home... Even if that means rowing all the way to the South Pole! This unique half-hour animated film features both narration by the great JIM BROADBENT & a beautiful score by composer MAX RICHTER. Adapted from the original illustrations into stunning and heart-warming CGI animation - & featuring brand new artwork from Oliver Jeffers himself - this extended telling of a classic story celebrating the value of friendship, is certain to be enjoyed & cherished by all. Along with its BAFTA Children's film award (UK); LOST AND FOUND has won an incredible 61 international film awards, including accolades from: The Chicago Children's Film Festival (USA), The New York Int. Children's Film Festival (USA), The Ottawa Int. Animation Festival (CANADA), Melbourne Int. Animation Festival (AUSTRALIA), The Sapporo Short Film Festival (JAPAN), The Annecy Crystal for Best TV Special (FRANCE) and many, many others.
Featuring a regular programme of child-friendly screenings, Toddler Time offers preschool children and their parents, guardians and carers a cheap opportunity to visit the cinema and introduce young children to this environment. Only adults with children will be admitted. Adults go free, while children's tickets are £3 each.
Please note the show starts at the advertised time - there are no adverts or trailers.
Cast Svetlana Zakharova (Marguerite Gautier), Edvin Revazov (Armand Duval), Anna Tikhomirova (Manon Lescaut), Semyon Chudin (Des Grieux), Kristina Kretova (Prudence Duvernoy), Mikhail Lobukhin (Gaston Rieux), Anna Antropova (Nanina), Andrei Merkuriev (Monsieur Duval), Daria Khokhlova (Olympia)
As he arrives in Paris for the first time, the young and naive Armand is utterly captivated after meeting the ravishing and most desirable courtesan Marguerite Gautier. Their encounter gives birth to a passionate yet doomed love…
Alexandre Dumas fils’s novel comes to life on the Bolshoi stage, with prima Svetlana Zakharova as the ailing Marguerite seeking love and redemption from her life as a courtesan. The Bolshoi brings choreographer John Neumeier’s work of rare beauty and tragic depth to new emotional heights, accompanied by Chopin’s romantic piano score.
Captured live on Dec 06, 2015
Schatze Page, Loco Dempsey and Pola Debevoise are three women on a mission: they all want to marry a millionaire. To accomplish this task, they move into a fancy New York City apartment and begin courting the city's elite. They have no problem meeting rich men, but unfortunately most of them turn out to be creeps or cons. Eventually they must decide: is a life of luxury more important to them than finding true love?
Welcoming people living with dementia along with family, friends and carers to the third of our special screenings.
Working in partnership with the Gatehouse Dementia Hub and the Dementia Action Alliance.
Admission: £4 (carers free of charge)
TICKETS FOR THIS SCREENING ARE ONLY AVAILABLE BY PERSON IN ADVANCE FROM THE CINEMA.
Please email email@example.com for further information.
Free tea, coffee and biscuits will be available from 10.30am.
Part thriller, part ghost story, part Freudian nightmare – Vertigo is a multi-layered portrait of obsession and a haunting visual treat.
SUNG IN ITALIAN WITH ENGLISH SURTITLEST
Tosca is one of the great evenings of opera, and from its strident opening chords conjures up a world of political instability and menace.
Jonathan Kent’s production for The Royal Opera captures the dangerous political turbulence of Rome in 1800. The Chief of Police, Scarpia – one of the most malevolent villains in opera – ruthlessly pursues and tortures enemies of the state. His dark, demonic music contrasts with the expansive melodies of the idealistic lovers, Tosca and Cavaradossi, who express their passion in sublime arias, including ‘Vissi d’arte’ and ‘E lucevan le stelle’. Giacomo Puccini’s dramatic work was a hit with audiences on its 1900 premiere and it remains one of the most performed of all operas – with its gripping plot and glorious music, it’s easy to see why.
A candle-lit church, Scarpia’s gloomy study with its hidden torture chamber and the false optimism of a Roman dawn: this handsome production throws into relief the ruthlessly taut drama, as the tension is wound up towards a fateful conclusion. Puccini’s meticulously researched score is infused with the same authentic detail, from distant cannon fire during the Act I Te Deum to tolling church bells and the sounds of a firing squad.
MUSIC - GIACOMO PUCCINI
DIRECTOR - JONATHAN KENT
CONDUCTOR - DAN ETTINGER
FLORIA TOSCA - ADRIANNE PIECZONKA
MARIO CAVARADOSSI - JOSEPH CALLEJA
BARON SCARPIA - GERALD FINLEY
A rare insight into the world of mindfulness and the Zen Buddhist master Thich Nhat Hanh. Filmed over three years, this intimate documentary focuses on a community who have dedicated themselves to a monastic life in rural France. Narrated by Benedict Cumberbatch.
Twelfth Night is a tale of unrequited love – hilarious and heartbreaking. Two twins are separated in a shipwreck, and forced to fend for themselves in a strange land. The first twin, Viola, falls in love with Orsino, who dotes on OIivia, who falls for Viola but is idolised by Malvolio. Enter Sebastian, who is the spitting image of his twin sister...
Christopher Luscombe, Director of the ‘glorious’ (Daily Telegraph) Love’s Labour’s Lost and Much Ado About Nothing (2014 and 2016), returns to the Royal Shakespeare Company to tackle Shakespeare’s greatest comedy, a brilliantly bittersweet account of "the whirligig of time".
On a steamy night in Mississippi, a Southern family gather at their cotton plantation to celebrate Big Daddy’s birthday. The scorching heat is almost as oppressive as the lies they tell. Brick and Maggie dance round the secrets and sexual tensions that threaten to destroy their marriage. With the future of the family at stake, which version of the truth is real – and which will win out?
Captured live on stage, Cat on a Hot Tin Roof will screen in cinemas around the world from 22 February 2018.
In 2003, 30 years after they served together in the Vietnam War, former Navy Corps medic Larry “Doc” Shepherd (Carrell) and former Marines Sal Nealon (Cranston) and Reverend Richard Mueller (Fishburne) reunite for a different type of mission: to bury Doc’s son, a young Marine killed in the Iraq War. Doc decides to forgo burial at Arlington Cemetery and, with the help of his old buddies, takes the casket on a bittersweet trip up the East Coast to his hometown in suburban New Hampshire. Along the way, Doc, Sal and Mueller reminisce and come to terms with shared memories of the war that continues to shape their lives.
Christopher Wheeldon, Artistic Associate of The Royal Ballet, created his adaptation of Shakespeare’s late great romance The Winter’s Tale for The Royal Ballet in 2014. Building on the success of Alice’s Adventures in Wonderland, The Winter’s Tale received ecstatic praise at its premiere, acclaimed by critics and audiences alike for its intelligent, distinctive and emotionally powerful story, told through exquisite dance. It is now widely judged to be a modern ballet classic.
The story follows the destruction of a marriage through consuming jealousy, the abandonment of a child and a seemingly hopeless love. Yet, through remorse and regret – and after a seemingly miraculous return to life – the ending is one of forgiveness and reconciliation. With powerful designs by Bob Crowley and atmospheric music by Joby Talbot, The Winter’s Tale is a masterful modern narrative ballet.
CHOREOGRAPHY - CHRISTOPHER WHEELDON
MUSIC - JOBY TALBOT
Cast The Bolshoi Principals, Soloists and Corps de Ballet
In the era of the French Revolution, Jeanne and her brother Jérôme leave Marseille for Paris in support of the revolutionary effort that is taking over the capital. While fighting for freedom, they both encounter love along the way…
Very few ballets can properly depict the Bolshoi’s overflowing energy and fiery passion as can Alexei Ratmansky’s captivating revival of Vasily Vainonen’s The Flames of Paris. With powerful virtuosity and some of the most stunning pas de deux, the Bolshoi Ballet displays an exuberance almost too enormous for the Moscow stage.
Having wittily addressed the social consequences of an aging population in Nebraska, writer-director Alexander Payne now turns his wry gaze on global overpopulation. A financially stretched couple (Wiig and Damon) decide to take the plunge when a team of Norwegian scientists discover a way to shrink humans down to six inches tall and ensconce them in utopian villages. Not only does this new Lilliputian community consume far less of the world’s resources, but their money is worth so much more. However, downsizing has unexpected downsides. Besides its breathtaking technical achievement, the film gives an entirely fresh perspective on fundamental human norms. Co-stars Damon and Wiig are wonderfully supported by Hong Chau and Christoph Waltz, who plays the couple’s small but sleazy playboy neighbour with uproarious zeal.
SUNG IN FRENCH WITH ENGLISH SURTITLES
Carmen is the best-known work by French composer Georges Bizet, and one of the most famous operas in the entire art form – numbers such as the Habanera and the Toreador Song have permeated the popular consciousness as little else has. The opera’s heady combination of passion, sensuality and violence initially proved too much for the stage, and it was a critical failure on its 1875 premiere. Bizet died shortly after, and never learned of the spectacular success his Carmen would achieve: the opera has been performed more than five hundred times at Covent Garden alone.
This ever-popular opera is given a fresh point of view in Barrie Kosky’s highly physical production, originally created for Frankfurt Opera. The Australian director is one of the world’s most sought-after opera directors, whose Royal Opera debut with Shostakovich’s The Nose in 2016 was greeted with delight. For Carmen he has devised a far-from-traditional version, incorporating music written by Bizet for the score but not usually heard, and giving a new voice to the opera’s endlessly fascinating central character.
MUSIC - GEORGES BIZET
DIRECTOR - BARRIE KOSKY
CONDUCTOR - JAKUB HRUŠA
CARMEN - ANNA GORYACHOVA
DON JOSÉ - FRANCESCO MELI
MICAËLA - ANETT FRITSCH
ESCAMILLO - KOSTAS SMORIGINAS
Caesar returns in triumph to Rome and the people pour out of their homes to celebrate. Alarmed by the autocrat’s popularity, the educated élite conspire to bring him down. After his assassination, civil war erupts on the streets of the capital.
Nicholas Hytner’s production will thrust the audience into the street party that greets Caesar’s return, the congress that witnesses his murder, the rally that assembles for his funeral and the chaos that explodes in its wake.
Showcasing Van Gogh’s iconic works like never before and featuring exclusive interviews with the curatorial team at the Van Gogh Museum, this EXHIBITION ON SCREEN favourite from Season 2 makes a welcome return to the big screen.
Leonard Bernstein was one of the first classical composers in America to achieve both popular and critical acclaim. He was eclectic in his sources – drawing on jazz and modernism, the traditions of Jewish music and the Broadway musical – and many of Bernstein’s scores are remarkably well suited to dance. He was particularly associated with Jerome Robbins, their credits together including Fancy Free and West Side Story. To celebrate the centenary year of the composer’s birth, The Royal Ballet has united all three of its associate choreographers to celebrate the dynamic range and danceability of Bernstein’s music.
The programme includes two world premieres by Resident Choreographer Wayne McGregor and Artistic Associate Christopher Wheeldon, marking each artist’s first foray into Bernstein. At the heart of the programme is the first revival of Artist in Residence Liam Scarlett’s The Age of Anxiety, created in 2014 to Bernstein’s soul-searching Second Symphony. Both symphony and ballet are inspired by W.H. Auden’s masterful modernist poem, itself written in response to the atmosphere of disillusionment and uncertainty that followed the end of World War II.
CHOREOGRAPHY - WAYNE MCGREGOR, LIAM SCARLETT, CHRISTOPHER WHEELDON
MUSIC - LEONARD BERNSTEIN
SUNG IN ITALIAN WITH ENGLISH SURTITLES
Verdi’s life-long love affair with Shakespeare’s works began with Macbeth, a play he considered to be ‘one of the greatest creations of man’. With his librettist, Francesco Maria Piave, Verdi set out to create ‘something out of the ordinary’. Their success is borne out in every bar of a score that sees Verdi at his most theatrical: it bristles with demonic energy.
The warrior Macbeth fights on the side of the King of Scotland – but when a coven of witches prophesy that he shall become king himself, a ruthless ambition drives Macbeth and his wife to horrific acts.
Murder makes Macbeth king, and intrigue and butchery are the hallmarks of his brief, doomed reign. The witches make another prediction, which also comes true: Macbeth and his lady lose their lives, and justice is restored.
Phyllida Lloyd’s 2002 production for The Royal Opera is richly hued, shot through with black, red and gold. The witches – imagined by designer Anthony Ward as strange, scarlet-turbaned creatures – are ever-present agents of fate. Lloyd depicts the Macbeths’ childlessness as the dark sadness lurking behind their terrible deeds. The Royal Opera’s production uses Verdi’s 1865 Paris revision of the opera, which includes Lady Macbeth’s riveting aria ‘La luce langue’.
MUSIC - GIUSEPPE VERDI
DIRECTOR - PHYLLIDA LLOYD
CONDUCTOR - ANTONIO PAPPANO
MACBETH - ŽELJKO LUCIC
LADY MACBETH - ANNA NETREBKO
BANQUO - ILDEBRANDO D’ARCANGELO
Cast Svetlana Zakharova (Giselle), Sergei Polunin (Albrecht), Ekaterina Shipulina (Myrtha), Denis Savin (Hans), and the Bolshoi Corps de Ballet.
When Giselle learns that her beloved Albrecht is promised to another woman, she dies of a broken heart in his arms. While Albrecht grieves, she returns from the dead as a Wili, a vengeful spirit meant to make unfaithful men dance until death…
Prima ballerina Svetlana Zakharova personifies this ultimate ballerina role in the classical repertoire, alongside the sensational Sergei Polunin as Albrecht, in this chilling, yet luminous ballet that continues to captivate audiences for over 150 years at the Bolshoi.
Captured live on Oct 11, 2015
Returning home from battle, the victorious Macbeth meets three witches on the heath. Driven by their disturbing prophecies, he sets out on the path to murder.
Our contemporary production of Shakespeare’s darkest psychological thriller marks both Christopher Eccleston’s RSC debut and the return of Niamh Cusack to the Company.
Manon’s brother Lescaut is offering her to the highest bidder when she meets Des Grieux and falls in love. They elope to Paris, but when Monsieur G.M. offers Manon a life of luxury as his mistress she can’t resist. With the Lescauts’ encouragement Des Grieux cheats at cards in an attempt to win Monsieur G.M.’s fortune. They are caught. Manon is arrested as a prostitute and deported to New Orleans, followed by Des Grieux. On the run, Manon dies from exhaustion.
Kenneth MacMillan’s source for Manon was the 18th-century French novel already adapted for opera by Massenet and Puccini. The premiere was given on 7 March 1974, with the lead roles danced by Antoinette Sibley and Anthony Dowell. The ballet quickly became a staple of The Royal Ballet’s repertory, and a touchstone of adult, dramatic dance.
MacMillan found new sympathy with the capricious Manon and her struggle to escape poverty. Designs by his regular collaborator Nicholas Georgiadis reflect this, depicting a world of lavish splendour polluted by miserable destitution. MacMillan’s spectacular ensemble scenes for the whole Company create vivid, complex portraits of the distinct societies of Paris and New Orleans. But it is Manon and Des Grieux’s impassioned pas de deux – recalling the intensity of MacMillan’s earlier Romeo and Juliet – that drive this tragic story, and make Manon one of MacMillan’s most powerful dramas.
CHOREOGRAPHY - KENNETH MACMILLAN
MUSIC - JULES MASSENET
Jerry Mulligan is an American GI striving to make it as a painter in a city suddenly bursting with hope and possibility. Following a chance encounter with a beautiful young dancer named Lise, the streets of Paris become the backdrop to a sensuous, modern romance of art, friendship and love in the aftermath of war...
Experience this “truly ravishing” (The Guardian) production in the comfort of your local cinema.
Monet’s life is a gripping tale about a man who, behind his sun-dazzled canvases, suffered from feelings of depression, loneliness, even suicide. However, as his art developed and his love of gardening led to the glories of his Giverny garden, his humour, insight and love of life are revealed. Told through Monet’s own words and shot on location at the very spots he painted, the film features his most loved paintings in an unforgettable, immersive art experience.
Cast The Bolshoi Principals, Soloists and Corps de Ballet
Swanhilda notices her fiancee Franz is infatuated with the beautiful Coppélia who sits reading on her balcony each day. Nearly breaking up the two sweethearts, Coppelia is not what she seems and Swanhilda decides to teach Franz a lesson…
The Bolshoi’s unique version of Coppélia exhibits a fascinating reconstruction of the original 19th century choreography of this ebullient comedy involving a feisty heroine, a boyish fiancee with a wandering eye, and an old dollmaker. The company’s stunning corps de ballet shines in the divertissements and famous “dance of the hours,” and its principals abound in youthful energy and irresistible humor in this effervescent production.
Swan Lake has had a special role in the repertory of The Royal Ballet since 1934. This Season The Royal Ballet creates a new production with additional choreography by Artist in Residence Liam Scarlett. While remaining faithful to the Petipa-Ivanov text, Scarlett will bring fresh eyes to the staging of this classic ballet, in collaboration with his long-term designer John Macfarlane. Prince Siegfried chances upon a fl ock of swans while out hunting. When one of the swans turns into a beautiful woman, Odette, he is enraptured. But she is under a spell that holds her captive, allowing her to regain her human form only at night.
Swan Lake was Tchaikovsky’s fi rst ballet score. Given its status today as arguably the best loved and most admired of all classical ballets, it is perhaps surprising that at its premiere in 1877 Swan Lake was poorly received. It is thanks to the 1895 production by Marius Petipa and Lev Ivanov that Swan Lake has become part of not only ballet consciousness but also wider popular culture. That success is secured not only by the sublime, symphonic sweep of Tchaikovsky’s score, but also by the striking choreographic contrasts between Petipa’s royal palace scenes and the lyric lakeside scenes created by Ivanov.
CHOREOGRAPHY - MARIUS PETIPA AND LEV IVANOV
ADDITIONAL CHOREOGRAPHY - LIAM SCARLETT AND FREDERICK ASHTON
MUSIC - PYOTR IL'YICH TCHAIKOVSKY
On 14 November 1987, a promising conductor called Simon Rattle made his Berliner Philharmoniker debut with Gustav Mahler’s Sixth Symphony. Looking back Rattle says, I felt that I was finding my voice on that day. Mahler’s multifaceted work is again on the programme when Sir Simon appears for the last time as chief conductor of the Berliner Philharmoniker. Sir Simon Rattle’s Farewell Concert will be broadcast live to cinemas on 20 June 2018, with exclusive interviews and programme insights featured as part of this historic event.
Set in a world very like our own, this Romeo and Juliet is about a generation of young people born into violence and ripped apart by the bitter divisions of their parents.
The most famous story of love at first sight explodes with intense passion and an irresistible desire for change, but leads all too quickly to heartbreaking consequences.
Unknown to him, it’s the women of Windsor who really pull the strings, orchestrating Falstaff’s comeuppance amidst a theatrical smorgasbord of petty rivalries, jealousies and over-inflated egos.
For a fat Englishman, a Welshman and a Frenchman, the only way is Windsor...